Ferringo, should hold off Doris' incarceration at the local asylum until he kills Count Lee. D requests that the authorities, including Greco's father, the town sheriff, and Dr. While in town with D and her younger brother Dan, Doris is confronted by Greco Rohman, the mayor's son, who offers to help if he has Doris for himself, but she refuses. Infected from Count Lee's bite, she hires D to kill the vampire and save her from becoming one. While walking her guard rounds in the country, Doris Lang, the orphaned daughter of a deceased werewolf hunter, is attacked and bitten by Count Magnus Lee, a 10,000-year-old vampire lord (also known as a Noble) for trespassing in his domain.ĭoris later encounters a mysterious vampire hunter, known only as D. ![]() It was one of several anime films featured in the music video for Michael and Janet Jackson's song " Scream". The screenplay is based on the first in the long-running series of light novels written by Hideyuki Kikuchi.īilled by the Japanese producers as a "dark future science-fiction romance", the film, like the novel before it, is set in the year 12,090 AD, in a post-nuclear holocaust world where a young woman hires a mysterious half-vampire, half-human vampire hunter to protect her from a powerful vampire lord. (And whether that was done in part to placate US censors or audiences, I obviously can’t say, but it was a nice change from Kawajiri).Vampire Hunter D ( Japanese: 吸血鬼ハンターD, Hepburn: Kyūketsuki Hantā Dī) is a 1985 Japanese fantasy horror OVA film produced by Ashi Productions, in association with Epic/Sony Records, CBS/Sony Group Inc. Vampire Hunter D: Bloodlust is also something of a tragic love story and so if you’re looking for the kinda crass sexual content sometimes found in his other films, you won’t get it here. I think Bloodlust is not as much a gore-fest either, and perhaps it’s even somewhat toned down for Yoshiaki Kawajiri, who was behind Ninja Scroll, Wicked City etc. On almost every level this adaptation is superior to the 1985 one, though in a way it’s not as bold, nor do we get the same feel for D as a character this time around. (It’s not until later that we meet the real Vampires once again the arrogant noble-types). The opening alone feels like a lesson in establishing both setting and mood – but it soon leads to the main plot – the rescue mission of a maiden ensnared by a vampire, and then it’s straight to the first impressive fight sequence as D and competing bounty hunters rip through some of the shambling zombie-type vampires. ![]() There’s not a lot of time for character development either, but the scene-setting and atmosphere-building (via the creepy OST and the beautifully gothic visuals) aren’t ignored by any stretch. ![]() ![]() There’s still room to breathe and reflect here and there, and plenty of fighting and gore, but the pacing is brisk as D seeks his bounty through increasingly grim scenes. I like it because it’s more functional in terms of a descriptor – since the film is kinda one long chase sequence. Instead, the source material probably has a more accurate title perhaps – the third novel in Hideyuki Kikuchi’s series that makes up the key aspects of the movie was called Demon Deathchase.
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